Micro-Macro
Emergence of the Finale II
The Interval Between Paths
(Per)ceptual (Con)duction
(Per)ceptual (Con)duction Performance
Water Slices I
Water Slices II (2025 Re)
Emergence of the Finale
(Bio) Resonance (Syn)thesis
Sound Nihilation
Mattering Life
TheInvisible Red
Emergence of the Finale II
The Interval Between Paths
(Per)ceptual (Con)duction
(Per)ceptual (Con)duction Performance
Water Slices I
Water Slices II (2025 Re)
Emergence of the Finale
(Bio) Resonance (Syn)thesis
Sound Nihilation
Mattering Life
The
Every frequency leaves a mark.
Aug 2026
Site-responsive moving image projection
Resonant Field transforms recordings of water in motion into an expanded field of light. Circular ripples, distortions and shifting contours are projected across the architectural and sculptural surfaces of HayArt Centre, allowing the image to move beyond the frame and become part of the space itself.
Captured alongside the wonderful projection work of Julia Krivosheenko.
Aug 2026
Vintage Metal Equipment Chassis, Amplifier, Piezo Contact Microphone, Resonance Speaker, Mirror, Acrylic
As Above So Below is an interactive installation exploring how light, vibration and sound are transformed through material contact. Light passes through water, while vibration disturbs its surface and the structure of the work, producing continuously shifting visual and sonic states.
Guided by a ambiguous manifesto, audiences are invited to open and close the metal chamber, activating and amplifying the sounds generated through the physical processes within. Rather than functioning as a separate soundtrack, sound becomes an extension and amplification of the material interaction itself.
Aug 2026
Moving Image
Current moves through a succession of unstable surfaces whose scale and substance remain deliberately uncertain. Forms emerge, shift and dissolve into one another, appearing briefly before losing their recognisable boundaries.In dialogue with Joki puhuu / Voice of the River / Голос Реки, it listens to the river as a shifting field of relations between human and more-than-human bodies, inner experience and surrounding landscape. Boundaries gather, disperse and reorganise, while voice, bodily sound and field recordings pass through the images like fragments of an ongoing conversation, never resolving into a single narrative.
Aug 2026
Sound, Moving Image, Live action
Micro–Macro is a collective performance developed during Notations 2026 in Yerevan, bringing together sound, moving image, material processes and live action within a shared spatial environment.
The work emerged through a collaborative process in which individual gestures, sonic textures, projected images and physical interventions were gradually layered together. Rather than forming a fixed narrative, the performance moved between different scales of attention, shifting from small actions and material details to a wider collective field.
Presented at The State Philharmonia of Armenia as part of Notations 2026, the performance explored how separate artistic practices could coexist, overlap and respond to one another in real time.
Ember Li, Yulia Nemova, Maksim Sergeev, Carolina Zakharova, Evgelion , Yulia Nemova, Ann Esaian, Mariam Gevorgyan, Rhys, Tatiana Iaksina
Curated by Andronik Khachian
Photo by Mitya Lyalin / Siyu Xie
Mar 2026
Emergence of the Finale II brings together water, light, and vibration to reveal the moment when energy assumes material form. The installation responds in real time to the audience’s voice and presence, creating an open feedback system in which viewers participate in the generation of form through cyclical vibration.
Mar 2026
The Interval Between Paths is a site-specific spatial projection installation. A silent experimental moving image is projected onto a mirrored surface. Visual patterns generated through vibration persist as images in space after the original sound source has been removed. Reflected by the mirror, the projection disperses into the surrounding environment, forming multiple overlapping visual trajectories. The work explores the autonomous visual presence of vibrational patterns once detached from their sonic medium, as well as a suspended state of perception between image and space.
Mar 2026
(Per)ceptual (Con)duction is an interactive work in which touch functions as the mechanism of activation. The installation challenges the relationships between the body, media, and space. Conduction here refers both to an electrical circuits and to the flow of perception. The body operates simultaneously as an input interface that invites participation and as the necessary condition that triggers the system.
Mar 2026
(Per)ceptual (Con)duction is a live performance developed from the interactive installation of the same name.
Structured around contact improvisation, the performers engage the installation through continuous bodily contact. Their touch activates the sonic system while simultaneously constituting the choreography itself. Bodily relations extend outward as sound; sound acts upon the water’s surface; the resulting patterns are projected into space.
Internal states of perception and external visual structures emerge at the same moment. Body, sound, and fluid patterns evolve together within a shared feedback loop.
Oct 2023
297 X 420 mm
Water Slices I employs intaglio printing to capture the rhythmic and serial vibrational patterns of water ripples. These prints translate the ephemeral beauty of sound-induced water movement into a permanent, etched form, highlighting the relationship between sound, texture, and surface.
Oct 2025
30 X 30 X 4cm
Water Slices II translates momentary water vibrations into layered acrylic forms, transforming a fleeting physical event into a suspended spatial structure. Patterns generated through vibration are sliced, reconfigured and illuminated, allowing light to pass through their overlapping surfaces and continuously shift the way the work is perceived.
The work holds a trace of its movement, translating a temporary state into material form. Situated somewhere between sound, water and perception, Water Slices II considers how an unstable event can remain present after the moment that produced it has already passed.